Group 7 Storyline

Article:

Underwater Photography by Martin Edge 

SENTENCE BUILDING POWERPOINT

EDITORIAL JUDGEMENT

STORYLINE

Presentation by 7th Group

[UNDERWATER COMPOSITION]

Our Team:

Alfin Afrigusman

Moreno Dwygnov

Radinia Kanoya

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# 5W+1H

1) Who

• Who made the theory of the composition of underwater photography in the book Underwater Photographer?

Answer: Martin Edge who created the theory of composition underwater, he is an experienced writer and photographer who shares knowledge and techniques that have proven effective in the field.

• Who will do underwater photography?

Answer: Those who will do or practice the theory are those who are interested in underwater photography, both beginners and professionals, who want to improve their composition skills.

2) What

• What is Under water Composition on The Underwater Photographer ? Answer: Underwater composition refers to the arrangement of visual elements within an underwater photograph to create a visually appealing and effective image. It involves using techniques such as framing, the rule of thirds, leading lines, and perspective to enhance the subject and overall impact of the photograph. Good composition helps convey the story, emotion, and beauty of the underwater environment, making the image more engaging for viewers.

• What is Depth Perspective on Underwater Composition?

Answer: Depth perspective (or image depth, as it is often called) is the technique of creating a sense of depth within a picture.

 

3) When

• When did Martin Edge research on underwater photography?

Answer: Martin Edge started exploring underwater photography in the late 1980s. His passion for the underwater world sparked his desire to learn and share techniques in this field. This journey led to the publication of his book The Underwater Photographer, which first came out in 1992. Since then, he’s kept honing his skills and making significant contributions to underwater photography.

• When did the wave first gravitate to this curve on a fragile star at night?

Answer: The waves are first attracted to this curve at a time when the star is fragile during night diving.

4) Where

• Where is an interesting and easy place to get a composition spot for underwater photography?

Answer: All underwater photography composition spots can be found in various locations such as coral reefs, shipwrecks, or other marine environments that offer many composition opportunities. Each of those locations has unique elements that can be used in the composition, such as rock shapes or marine life.

• Where we will see an interesting image or color composition underwater?

Answer: You will see excellent underwater images of yellow schooling fish against an intense blue water background, the balance of a composition is more of a feeling than anything else. In my early days, balance in their work was more 'after the fact.

5) Why

• Why Does Martin Edge often tilting his camera to get the photos?

Answer: Underwater, the visual clues that determine orientation are not as strong. If there are no visual clues to the horizon, the viewer is unable to determine the original orientation of the subject. The reason the writer tilting his macro and close up subjects is to achieve a strong, diagonally orientated composition in the viewfinder.

• Why clouds are the colors that describe the world around us from space to the deepest oceans?

Answer: Because according to physiologists think "that this color is calm, confident, and reliable, and also that it conveys stability, truth, authority, and loyalty.

6) How

• How to determine framing techniques, use of space and viewing angles ?

Answer: Using natural elements to frame the subject or utilizing negative space to improve focus on the subject and Experiment with different angles and perspectives to find the most interesting and effective composition.

• How will you remember to think of this underwater the next time you are shooting?

Answer: A photographer who aspires to take more than a casual snapshot cannot hope to produce a standard of excellence without first understanding and seeking to master the art of composition. The rewards for this entire endeavour are certainly worthwhile!

# VERBAL

• The photographer adjusts the camera settings to capture the perfect shot.

• Light filters through the water, illuminating the subject beautifully.

• You should always focus on framing your subject against the backdrop

• The diver swam closer to the coral reef to improve the composition.

• He reviews each shot carefully to ensure the composition is balanced.

• The camera captures vibrant colors that emerge in the shallow waters.

• The photographer focuses on the subject’s eyes for an intimate portrait.

• Marine life surrounds the photographer, adding depth to the frame.

• The diver carefully approaches to avoid disturbing the natural setting.

• Rays of sunlight break through, adding drama to the underwater scene

# NOMINAL

• The composition is the key to capturing a stunning underwater photograph.

• A well-balanced frame is essential for impactful underwater imagery.

• Effective use of natural light is crucial for depth in underwater photography.

• The subject’s position within the frame is the most critical aspect.

• Depth and texture are important elements in creating a visually compelling shot.

• The balance of elements is essential for a successful composition.

• Proper timing is necessary to capture marine life in its natural behavior.

• The contrast between light and shadow shapes the underwater image.

• An understanding of the aquatic environment benefits the photographer.

• The interplay of textures and colors creates a vibrant underwater palette.

# ACTIVE VOICE

• "When I see a yellow or orange subject, I immediately consider how to combine it with a blue water background."

• "The word 'red' conjures up images of passion, sex, danger, and anger."

• "Red is the colour of blood, roses, and fast cars."

• "Red is also an excellent colour to combine with blue."

• "Red stands out from all the rest."

# PASSIVE VOICE

• "The focal point of the picture should not be placed in the middle of the frame unless it enhances the composition.

• "The eye will lead into the picture, stay in the centre of the frame looking at the focal point, and will not move around to enjoy other aspects."

• "One participant of a photo workshop had difficulty using his housing/camera in a vertical/portrait format."

• "The 'bull's-eye' effect can leave it looking flat and boring."

• "The preferred compositional format can change in an instant, particularly with a moving subject."

# PRESENT PERFECT TENSE

• "I have yet to meet a diver who is not drawn to the colour blue."

• "If you have a flash mounted on the left side of your camera, as with the majority of designs, you will notice the flash is now underneath the camera and knocking against your knees."

# SIMPLE PRESENT TENSE

• "There are many subjects in the sea that are anchored to the reef in some way."

• "This element of composition is about the importance of giving subjects a base."

# CONTINOUS TENSE

• "...when I am doing..."

• "...looking at the focal point..."

# SIMPLE PAST TENSE

• "In my early days, balance in my own work was more 'after the fact'...

• "In my early days, balance in my own work was more 'after the fact'...

# SIMPLE FUTURE TENSE

• "You will see excellent underwater images of yellow schooling fish against an intense blue water background."

• "Red is also an excellent colour to combine with blue, and you will see many vibrant photos from the Red Sea in particular..."

 

# VOCABULARY

1) Noun

• flash /flæʃ/ : kilatan cahaya

• amera /ˈkæmərə/ : alat foto

• side /saɪd/ : mengatakan 

• housing /saɪd/ : sisi luar

• placement /ˈpleɪsmənt/ : peletakan

• format /ˈfɔːrmæt/ : bentuk

• participant /pɑːrˈtɪsɪpənt/ : peserta

• workshop /ˈwɜːrkʃɑːp/ : pelatihan

• grip /ɡrɪp/ : genggaman

• problem /ˈprɑːbləm/ : masalah

2) Verb

• matter /ˈmætər/ : urusan

• have /hæv/ : punya

• mounted /ˈmaʊntɪd/ : terpasang

• notice /ˈnoʊtɪs/ : menyadari

• knocking /ˈnɑːkɪŋ/ : ketukan

• consider /kənˈsɪdər/ : pertimbangkan

• using /ˈjuːzɪŋ/ : memakai

• attached /əˈtætʃt/ : terlampir

• turn /tɜːrn/ : giliran

• cut /kat/ : memotong

3) Adjective

• underwater /ˌʌndərˈwɔːtər/ : bawah air

• excellent /ˈɛksələnt/ : luar biasa

• intense /ɪnˈtɛns/ : intens atau kuat

• yellow /ˈjɛloʊ/ : kuning

• fast /fæst/ : cepat

• vibrant /ˈvaɪbrənt/ : penuh warna

• clear /klɪr/ : jernih atau jelas

• soft /sɔft/ : lembut

• dynamic /daɪˈnæmɪk/ : dinamis

• early /ˈɜːrli/ : dini atau awal

 

# CONCLUSIONS

We are discussing the significance of composition in producing visually arresting underwater images. explains how the final image may be greatly impacted by properly positioning the subject, framing it, and utilising light. urges photographers to keep things simple, eliminate extraneous elements, and concentrate on the subject. This also discusses how varying viewpoints and angles may add interest to a picture. Overall, the chapter demonstrates that taking excellent underwater photos requires a combination of technical proficiency and compositional imagination.

# REASON

This guide explores the special opportunities and difficulties of underwater photography, where composition is crucial in visually complex and dynamic scenes. Photographers may capture the greatest qualities of underwater subjects and produce distinct, powerful photographs by mastering framing, location, and light. The book emphasises that underwater photography is more than just technical accuracy; it's about creating an engaging visual narrative, and composition is essential to that narrative. It does this by fusing useful skills with inspiration for artistic creativity.

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YOUTUBE VIDEO:

https://youtu.be/vEA290K-Mgo?si=LyMCuJtBkb5FB7VM